Marie Taglioni (Als Satanella im Gleichnamigen Ballet). Portrait de Marie-Paul Taglioni. 1852. DUTILLEUX Henri Joseph Constant Le réalisme le plus scrupuleux39 1076 à 1080
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Marie Taglioni (Als Satanella im Gleichnamigen Ballet). Portrait de Marie Paul Taglioni. 1852. DUTILLEUX Henri Joseph Constant Le réalisme le plus scrupuleux39 1076 à 1080 Le réalisme le plus scrupuleux39 y côtoie des visions chimériques aux accents hugoliens : la Galerie Notre Dame et son clair obscur sépulcral revêtu du cachet de la signature et de la marque de collection du Docteur Jean Meyen Elle est considérée comme la première grande ballerine romantique Epreuve sur papier vélin
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